The film attemps to negociate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali-the presiding deity of Calcutta. It delves into the subliminal layers of consciousness, underlying the ritual of Kali worship.

Shakespearean theatricality meets the subtlety of Kathakali subverted in the dramatic space of street theatre to give birth to a performative 'Caliban'-Khelkali- a hybrid act of articuling the post-colonial irony of contemporary India.

Three women reminisce about their times at school and rekindle and affirm old friendships. They share a strange secret about each other that is never made known to us. The film is a cinematic interpretation of Samuel Beckett's 1967 dramaticule, «Come and Go».

In 1997, I filmed a sequence - a friend immersing an idol of Ganesha at Chowpati beach, Bombay on the last day of the Ganapati festival. A year later, he committed suicide. After twelve years, I completed the film. Using his footage as the leitmotif, this film is a requiem to a dead friend.